NAJNOWSZE

PRACE

Slavs and Tatars to kolektyw artystyczny i projekt intelektualny zarazem. Działają od 2006 roku, a obszarem ich zainteresowania jest przede wszystkim Eurazja jako szczególna formacja kulturowa, na której terenie mieszają się różne formacje etnicze i religijne, ale która zarazem zachowuje w sobie ponadnarodowy etos “wschodu”. Akcja prac i projektów Slavs and Tatars toczy się między dawnym murem berlińskim, a murem chińskim. Kolejne przedsięwzięcia przyjmują zarówno formę publikacji jak i rozbudowanych instalacji oraz serii obiektów wykorzystujących często tradycyjne techniki wytwórcze i rzemiosło artystyczne.  

 

PRACE W KOLEKCJACH: 

The Museum of Modern Art, Nowy Jork, US

Sharjah Art Foundation, Sharjah, UAE

Muzeum Sztuki Nowoczesnej w Warszawie, PL

Tate Modern, Londyn, GB

Kadist Collection, Paryż, FR

Galeria Arsenał, Białystok, PL

Ringier Collection, Zurych, CH

Muzeum Współczesne Wrocław, PL

Art Collection Telekom, DE

WYSTAWY INDYWIDUALNE

 

2016 

- Usta Usta, Centrum Sztuki Współczesnej Zamek Ujazdowski, Warszawa, PL

- Afteur Pasteur, Tanya Bonakdar Gallery, New York, US

- Made in Germany, The Third Line, Dubai, UAE

- Towarzystwo Szubrawców, Raster, Warsaw, PL

- Slavs and Tatars: Lecture-Performances 2009-2016, Fondation Boghossian - Villa Empain, Brussels, BE

- Mirrors for Princes, Blaffer Art Museum, Houston, USA

 

2015

- Stongue, Kunsthalle Aarhus, DK

- Free Parking: Art Libraries from Elsewhere, Asia Art Archive, Hong Kong, HK

- Mirrors for Princes, Institute of Modern Art, Brisbane, AU

- Dschinn and Dschuice, Kraupa-Tuskany Zeidler, Berlin

- Lektor, Collective Gallery, Edinburgh, UK

- Dschinn and Dschuice, Kraupa-Tuskany Zeidler, Berlin, DE

- Mirrors for Princes: Both Sides of the Tongue, NYU AD Art Gallery, Abu Dhabi, AE

- Long Legged Linguistics, Kunstmuseum, Trondheim, NO

 

2014

- Mirrors for Princes, Kunsthalle Zürich, Zürich, CH

- Sunum-Performans: Alfabe Ötesi Dalga, Istanbul Modern, Istanbul, TR

- LANGUAGE ARTS, The Third Line, Dubai, AE

- Concentrations 57, Dallas Museum of Art, Dallas, US

- Długonoga lingwistyka. Niesforne nosówki, Arsenal Gallery, Białystok, PL

2013

- Friendship of Nations: Polish Shi’ite Showbiz, Presentation House, Vancouver , CA

- Friendship of Nations: Polish Shi’ite Showbiz, REDCAT, Los Angeles, US

2012

- Beyonsense, Projects 98, Museum of Modern Art, New York, US

- Too much tłumacz, Raster, Warsaw, PL

- Khhhhhh, Moravia Gallery, Brno, CZ

- Not Moscow Not Mecca, Secession, Vienna, AT

2011

- Friendship of Nations: Polish Shi’ite Showbiz, Kiosk, Koninklijke Academie voor Schone Kunsten, Gent, BE

- Przyjaźń Narodów: Lahestan Nesfeh-Jahan, Gdańska Galeria Miejska, Gdansk, PL

- A Monobrow Manifesto, Neuer Aachener Kunstverein, Aachen, DE

2009

- Kidnapping Mountains, Netwerk Center for Contemporary Art, Aalst, BE

2008

- Common Wealth, 032c, Berlin and Ooga Booga, Los Angeles (2010), USU

- A Thirteenth Month Against Time, Newman-Popiashvili Gallery, New York, US

 

WYBRANE WYSTAWY ZBIOROWE 

 

2016

- Będzie lepiej i coraz lepiej? Prezentacja kolekcji II, Galeria Arsenał, Białystok, PL

- A Place of Our Time, Palazzo Capris, Turin, IT

- Fiatal Lengyelország - A valóság utóérzései (Young Poland - Afterimages of Reality), Ludwig Museum, Budapest, HU

- Yinchuan Biennale 2016, Yinchuan, CN

- We Dance, We Smoke, We Kiss, Fahrenheit, Los Angeles, US

- SPRACHE, Deutsches Hygiene Museum Dresden, Dresden, DE

- Jakoś to będzie / Czuwaj, Biuro Wystaw, Warszawa, PL

- Metatextile: Ruptured narratives, exchanged values, Edel Assanti, Londyn, UK

Stosunki pracy. Z międzynarodowej kolekcji sztuki współczesnej Muzeum Współczesnego Wrocław, PL

- Mother lode, Hessel Museum of Art, Bard College, Nowy Jork, USA

- DE-MO-KRA-CJA, Galeria Labirynt, Lublin, PL

- SONSBEEK ’16: transACTION, Museum Arnhem, NL

- La memoria finalmente. Arte in Polonia 1989-2015, Galleria Civica - Palazzina dei Giardini, Modena, IT

- Arch of my Eye’s Orbit, Brooklyn Academy of Music, Nowy Jork, US

- Magie und Macht: Von fliegenden Teppichen und Drohnen, Marta Herford Museum, Herford, DE

- Conditions of Political Choreography, Center for Contemporary Art, Tel Aviv, IL

 

2015

- Zuzanna Ginczanka. Tylko szczęście jest prawdziwym życiem, Muzeum Literatury, Warszawa, PL

- Balagan!!! Contemporary Art from the Former Soviet Union and other Mythical Spots, Max Liebermann Haus, Berlin, DE

- Contour 7 Biennial, Mechelen, BE

- Open House, Kunstverein Braunschweig, Braunschweig, DE

- Preis Der Nationalgalerie, Hamburger Bahnhof, Berlin, DE

- Czysty język , Galeria Arsenał, Białystok, PL

- Stitch In Time: The fabric of contemporary life, Lewis Glucksman Gallery, University College Cork, IE

- Crisis of History # 3 – Beyond History, Framer Framed, Amsterdam, NL

- Köln Skulpturen Park, Cologne, DE

- More Konzeption Conception now, Museum Morsbroich, Leverkusen, DE

 

  2014

- Architektura cienia. Szalety i bazary, Muzeum Sztuki Nowoczesnej w Warszawie, PL

- Rainbow in the Dark, Salt Galata, Stambuł, TR

- 8. Berlin Biennale, Berlin, DE

-  Manifesta 10, Saint Petersburg, RU

- Pokażcie nam wasze marzenia, Open'er Festival 2014, Gdynia, PL

- W niedalekiej przyszłości, Muzeum Sztuki Nowoczesnej, Warszawa, PL

- Grip friheten!, Nasjonalmuseet, Oslo, NO

- Neighbours: Contemporary Narratives from Turkey and Beyond, Istanbul Museum of Modern Art, Istanbul, TR

2013

- Soft Picture, Fondazione Sandretto Re Rebaudengo, Torino, IT

-Museum off Museums, Biellefelder Kunstverein, Bielefeld, DE -Hip to Be Square, KC PZPR, Warszawa, PL

-W Imię Boga, KC PZPR, Warszawa, PL

-Long ago, and not true anyway, Waterside Contemporary, London, UK

-Nouvelle Vague, Palais de Tokyo, Paris, FR

-L'Ange de l'Histoire, Palais de Beaux Arts, Paris, FR

-Love me Love me not, Venice, IT

-W sercu kraju, Muzeum Sztuki Nowoczesnej, Warszawa, PL

-Weird Science, Jack Hanley Gallery, New York, USA

-Nouveau Festival, Centre Pompidou, Paris, FR

2012

- Traversing West Asia, Asia Pacific Triennial, Brisban, AU

-Niewczesne Historie / Untimely Stories, Muzeum Sztuki, Łódź, PL

- Roundtable, 9th Gwangju Biennial, Gwangju, KR - 2nd Ural Biennial, Ekaterinburg, RU

- Etat de Veille, Galerie Jousse Entreprise, Paris, FR

- Under the Mountain, Festival of Culture, Jerusalem, ISR

- On Apology, CCA Wattis, San Francisco, US - Migrosophia, Maraya Art Centre, Sharjah, UAE

- The Ungovernables, New Museum Triennial, New York, US

- Print/Out, Museum of Modern Art, New York, US - Scenarios about Europe III, GfZK, Leipzig, DE

2011

- I decided not to save the world, Tate Modern/Salt Beyoğlu

- Station C, Konsthall C, Stockholm, SE

- Geopoetics, 8th Mercosul Biennial, Porto Alegre, BR

- A Rock and a Hard Place, 3rd Thessaloniki Biennale, Thessaloniki, GR

- Melanchotopia, Witte de With, Rotterdam, NL

- Group Affinity, Kunstverein München, München, DE

- Friendship of Nations: Polish Shi’ite Showbiz, 10th Sharjah Biennale, UAE

- Galicia. Topologies of Myth, Małopolskie Centrum Kulturz SOKOŁ, Nowy Sącz, PL

- East:Excitable Speech:West, Kerstin Engholm Galerie, Vienna, AT

- Distant Montage, École Régionale des Beaux Arts de Valence, France, FR

- Le Mont Analogue, BE Part Platform voor actuele kunst, Waregem, BE

- ECHT? based on a true story, Kuenstlerhaus Stuttgart, Stuttgart, DE

2010

- Between the silhouette and the background, unosunove gallery, Rome, IT

- Monobrow Manifesto, Frieze Sculpture Park, London, UK

- Salon5, ARGOS centre for art and media, Brussels, BE

- 25th Nadežda Petrović Memorial, Čačak, RS

- Correct Me if I am Critical, Felleshuset, Nordische Botschaft, Berlin, DE

- Frozen Moments, Ministry of Transport, Tbilisi, Georgia, GE

- 032c Workshop # 1, BAIBAKOV art projects, Moscow, RU

- Habitat (Some Pleasures and Discomforts of Domestic Life), Twenty First/Twenty First Gallery, New York, US

- Miseducation, Brucennial, New York, US - The Past is a Foreign Country, Centre of Contemporary Art ‘Znaki Czasu’ in Torun, Toruń, PL

- Freischuss, Kleine Humboldt Galerie, Berlin, DE

2009

- Industrial Light Magic, Goethe Institut, New York, US - Wola Art Festival, Warsaw, PL

- Hymns of No Resistance, Kaai Theatre, Brussels, BE

- Betlemi Mikro-Raioni, Laura Palmer Foundation, Tbilisi, GE

- Nomadic Focus, Interzone, Studio BWA, Wroclaw, PL

- Live Archive of ‘The Generational: Younger Than Jesus’, New Museum, New York, US

2008

- Grotto, Museum 52, London, UK

- Place it, Parallel Events Manifesta 7, Lungomare Gallery, Bolzano, IT

- Shifting Identities, Kunsthall Zürich, Zürich, CH

- Pro eto, NCCA, Moscow Biennale of Young Artists, RU

- Forms of Inquiry, traveling show: Casco, Utrecht; lux, Valence; IASPIS, Stockholm; BolteLang, Zürich; Archizoom EPFL, Lausanne, CH

- Ostersund, Färgfabriken, Stockholm, SE 2007

- Left Pop, Moscow Biennial of Contemporary Art, RU

- New Multiples, Art Metropole, Toronto, CA - NY Art Book Fair, Printed Matter, New York, US

- Books by Artists, E:vent Gallery, London, UK

- 10 Years, Colette, Paris, FR 2006

- Publish and Be Damned, Casco Projects, Utrecht, NL

- 30ANSCHLAEGE, Public Exhibition in Heidelberg, DE

2005

- Festival International de la Mode et de Photographie, Hyéres, FR

- Proud and Sad/ Wrong and Strong, Women and Their Work, Austin, Texas, US

- Bloomberg New Contemporaries, Cornerhouse, Manchester, Barbican, London, UK

- Somewhere Totally Else, Design Museum, London, UK

ONLINE: 

- Karol Sienkiewicz, Slavs and Tatars w warszawskim CSW. Wystawa słynnej międzynarodowej grupy to bunt czy eskapizm?, "wyborcza.pl", 18.12.2016 (PL)

- Slavs and Tatars. Afteur Pasteur, Ann McCoy, “The Brooklyn Rail”, 1.11.2016 (EN)

- Sok z kiszonek, wywiad ze Slavs and Tatars, rozm. Ewa Tatar, Katarzyna Czeczot, “dwutygodnik.com”, #190, 07/2016 (PL)

- Bean Gilsdorf, Slavs and Tatars, “Artforum”, 13.06.2016 (EN)

- Krzysztof Kościuczuk, Critic’s Guide: Warsaw, “frieze.com”, 02.06.2016 (EN)

- Miriam Cosic, Mirrors for Princes explores the lands time forgot, “The Australian”, 19.11.2015  (EN)

- Kevin Jones, Slavs and Tatars NYUAD Art Gallery / Abu Dhabi, “Flash Art”, 17.06.2015 (EN)

- Kevin Jones, Mirrors for Princes: Both Sides of the Tongue, "ArtAsiaPacific", Issue 93, May/Jun 2015 (EN)

- Dina Akhmadeeva, Wall to Wall: meet Slavs and Tatars, the art collective slaying stereotypes from Berlin to Beijing, “The Calvert Journal”, 19.03.2015 (EN)

Monique Todd, Breaking new ground in the Persian Gulf, “Dazed”, 18.03.2015 (EN)

- Nick Leech, Slavs and Tatars encourages art that you’re allowed to reach out and sit on, “thenational.ae”, 26.02.2015 (EN)

- Kevin Jones, Slavs and Tatars. Language Arts, "ArtAsiaPacific", Issue 91, Nov/Dec 2014 (EN)

Jerome Weeks, Alphabet Wars At The Dallas Museum Of Art, "Artandseek.net",17.07.2014 (EN)

Dallas Museum of Art first to present Slavs and Tatars' complete Love Letters Carpet series , "Artdaily.org", 26.07.2014 (EN)

-Fawz Kabra, Language Arts, Slavs and Tatars at The Third Line, “IBRAAZ”, 30.04.2014 (EN)

Asa Fitch, Art Dubai Eyes Cultural Growth Amid Dubai’s Commercial Upswing, "The Wall Street Journal", 19.03.2014 (EN)

Anna Seaman, Slavs and Tatars exhibit at The Third Line in Dubai strive to liberate words and art, "The National", 01.04.2014 (EN)

Ewa Kozik, Artyści, kuratorzy i badacze, czyli o strategiach artystycznych “Slavs and Tatars", sercekraju.wordpress.com, 13.09.13 (PL)

Środkowoeuropejski bazar, wywiad z Slavs and Tatars, rozm. Iwo Zmyślony, "dwutygodnik.com", #94, 10/2012 (PL)

Slavs and Tatars on Reading as a Collective Activity, video interview with Slavs and Tatars by Agnes Monod-Gayraud, "Culture.pl", 05.10.2012 (EN, PL)

- Jesi Khadivi, Slavs and Tatars, "Harper's Bazaar Art", zima 2012 - 2013, s. 90 - 99 (EN)

- Austin Considine, Slavs and Tatars Bring Eurasian Transreason to MoMA, "Art in America", 16.10.2012 (EN)

Iwona Kurz, Nie chcemy być nowocześni, "dwutygodnik.com", #110, 06/2013 (PL)

- Adriana Prodeus, Panslawizm - tak!, "Newsweek", 01 - 07.07.2013, s.98-99 (PL)

- Interview with Slavs and Tatars by Federica Bueti, "ARTslant", 7.08.2010 (EN)

- Nicholas Cullinan, Group Think, "Artforum", 02.2011 (EN)

- Ewa Bianka Zubek, Slavs and Tatars: Politics, Aesthetics and Friendship across Eurasia, "The Culture Trip", 03.2014 (EN)  

 

RECENZJE, ARTYKUŁY:

- Owen Duffy, Slavs and Tatars. Afteur Pasteur, "ArtReview", 12/2016, s. 119 (EN)

Ingeborg Wiensowski, Das Künstlerkollektiv Slavs and Tatars beschäftigt sich mit Religion, Identität und Sprache. Und mit Eurasien, “Kultur Spiegel”, #9, 2015 (DE)

- David Joselit, On Aggregators, “October”, #146, 2014, s. 3-18 (EN)

- Karolina Plinta, Slavs&Tatars. Długonoga lingwistyka, Niesforne Nosówki, "Szum",  #6 2014, s. 118-120 (PL)

- Florence Derieux, Slavs and Tatars, Art Space Pythagorion, Samos, "Flash Art", no. 293, November- December 2013, s. 107

- Veerle Devos, Tongue 'n Cheek: Slavs and Tatars do Eurasia, "DAM",  no 41, 2013, s. 32-36

- Dorota Jarecka, Nowoczesność to zysk, "Wyborcza.pl", 15.05.2013

- Miško Šuvaković, ’Slavs and Tatars: Posle Postkolonijalnog Subjekta,’ "Umetnost i Politika", Belgrade: Sluzbeni Glasnik, 2012

- Kevin Kinsella, For the Birds, "BombBlog", 5.11.2012

- Anders Kreuger, ’Beyond Nonsense: What Slavs and Tatars Make,’ "Afterall", Fall 2012

- Karol Sienkiewicz, ’Slavs and Tatars’ "Too Much Tłumacz", "Art Agenda", 16.10.2012

- Jon Leon, ’Political He Says,’ "Spike", no 33 Autumn 2012

- Shelby Brody, ’Art in Translation,’ "Columbia Daily Spectator", 26.09.2012

- Mason Curry, Skyping with Slavs and Tatars, "Print", October 2012

- Igor Gulin,  Представители трещины, "Kommersant", 31.08.2012

- Slavs and Tatars, When Satire Conquered Iran,"New York Review of Books", 18.09.2012

- Oleg Sulkin, Slavs and Tatars захватили Музей современного искусства, "Голос Америки", 19.08.2012

- Tereza Stejskalová, Možnosti kulturního překladu, "A2", 04.06.2012 - Mara Goldwyn, ’It’s a Trip’ Sleek, 34.

- Slavs and Tatars, Q&A, "Frieze", May 2012

- Jerry Saltz, Big Government Conservatives, "New York Magazine", 24.02.2012

- Ken Johnson, ’Gauging the Power of the Print, "The New York Times", 16.02.2012

- Marta Jazowska, Slavs and Tatars’ Not Moscow Not Mecca, "Culture.pl", 2012 -

Alex Moshakis, Interview with Slavs and Tatars, "It’s Nice That", issue 8, 2012

- HG Masters, Five Plus One’ Asia Art Pacific, Almanac 2011

- Magadalen Chua, Interactions between Representations of History, "Dailyserving.com", 26.01.2012

- Christopher Lord, A Daring Eastern Publication, "The National", 21.12.2011

- Yıldız, ’Artist of the Week: Slavs and Tatars, "Manifesta Journal blog", 12.12.2011

- Karolina Majewska, Slavs and Tatars w Gdańsku, "Obieg.pl", 16.10.2011

- JJ Charlesworth, I decided not to save the world, "TimeOut", 17.11.2011

- HG Masters, Slavs and Tatars: Collective Eclecticism, "Asia Art Pacific", issue 75

- Behrang Samsami, Simplicissimus auf Aserbaidschanisch, "Zenith", 16.09.2011

- Don J. Cohen, Molla Nasreddin review, "Asia Art Pacific", issue 75, 2011

- Alexander Provan, Molla Nasreddin review, "Bidoun", issue 25, 2011

- Isabella Ella Hughes, Snail Fever: review, "Asia Art Pacific", 2011

- Carson Chan, The Last of the Eurasianists, "Kaleidoscope", issue 11, 2011

- David Shariatmadari, Molla Nasreddin review, "The Guardian", 24.06.2011

- Peter Gordon, Molla Nasreddin redux, "Asian Review of Books", 2011

- Nigar Hacizade, Müslüman, laik, demokrat devrimciler, "Radikal", 30.05.2011

- Elizabeth Minkel, The magazine that almost changed the world, "The New Yorker", 26.05.2011

- Isabella Ella Hughes, Sharjah Biennale 10 review, "Asia Art Pacific", issue 73, 2011

- Daniel Morgenthaler, ’Der "Nebelspalter" der muslimischen Welt’, Basler Zeitung, 13.04.2011

- Taraneh Hemami, Tracing the Plot, "SF MoMA Blog", 2011

- Maxine Kopsa, It was bibliophilia at first sight, "Metropolis M", March 2011

- Adam Budak, Future Greats, "Art Review", March 2011

- Dietrich Heißenbüttel, Von Slawen und Tataren, "Süddeutsche Zeitung", 16.02.2011

- Slavs and Tatars, Molla Nasreddin: The Magazine That Would’ve, Could’ve, "- Should’ve", artfagcity.com, September 2010

- Federica Bueti, ‘All Alone, Together’ artslant.com, September 2010

- Daniel Miller, ’Postcard from Tbilisi,’ Frieze.com, September 2010

- Federica Bueti, ‘Interview with Slavs and Tatars,’ artslant.com, August 2010

- Ewa Opałka, ‘Przewodniki po nie-miejscu. "Przeszłość jest obcym krajem,’ Obieg, June 2010

- Paulina Jakubowska, ‘Geografia umysłu,’ COwToruniu.pl, 26.02.2010

- Slavs and Tatars, ’Go East, Young Man!’ 032c, issue 19, 2010

- Slavs and Tatars, ‘Who is the enemy?’ Kaleidoscope, issue 5, 2010

- Slavs and Tatars, Польские Татары (Polskie Tatari), "Black Square", issue 9, 2010

- Slavs and Tatars, What is Urgent, "Metropolis M", issue 6, 2009

- Andrzej Rejnson, Wolska architektura w rekach artystow, "Polska", 18.11.2009

- Slavs and Tatars, Poland 1989: In Praise of the Normal, "Methodical and - Slow", 032c, issue 18, 2009

- Slavs and Tatars, Tehran 1979: Paper, "Participation, Politics", 032c, issue 17, 2009

- Isabelle De Baets, Strak, Minder Strak, No-Nonsense, "ART, issue 52", 04.06.2009

- Jasmine De Bruycker, Kidnapping Mountains, "Klara.be", 13.05.2009

- Agata Araszkiewicz, Slavs and Tatars, "flaneriaa", 18.05.2009 - Shaun Walker, The Expatriate, "Fantastic Man", issue 9, 2009

- Negar Azimi, I Often Dream of Slavs, "Bidoun", issue 16, 2009

- Payam Sharifi, Flattened History, "Metropolis M",  No. 5, 2008

- Anna Dyulgerova, Novi Moskvich, "Harper’s Bazaar", September 2008

- Ingrid Chu, ‘Rebuilding the Pantheon’, Filip, issue 8, 2008

- Slavs and Tatars, Mohammed Mossadeq, "LamMagazine.com", May 2008

- Alison Cool, Wall to Wall, "Style.com", 08.04.2008

- Slavs and Tatars, Drafting Defeat, Cities from Zero, Ed. Shumon Basar, AA Publications, 2007

- Holland Cotter, Art between Covers, "New York Times", 29.09.2007

- Suzy Menkes, Paris’ Colette, "International Herald Tribune", 26.05.2007

- Featured in The Conditions of Graphic Design, "IDEA", No. 316, 2006

- Featured in ‘The Creators Network’, "+81", vol. 33, 2006 -

Slavs and Tatars, ‘Slavs’, 032c, issue 11, 2006

- Payam Sharifi, Veiled Beauty, "Another Magazine", issue 10, 2006

- Brigitte Ollier, L’oeil Hyéres, "Libération", 05.05.2005

- Gert Jonkers, Modewereld is op zoek naar foto’s met inhoud, "De - Volkskrant", 02.05.2005

- Payam Sharifi, Past – The Undecideds, "Another Magazine",  issue 9, 2005

- Payam Sharifi, Discretion, "A Magazine" curated by Haider Ackermann, vol 3, 2005

- Payam Sharifi, Révolutions de Façade, "Libération", 11.08.2005  

 

TEKSTY I PUBLIKACJE WŁASNE:  

- Friendship of Nations Polish Shi`ite Showbiz, Book Works Sharjah Art Foundation, 2013

- Khhhhhhh, Moravian Gallery in Brno, Mousse, 2012 - Not Moscow Not Mecca, Secession, Revolver, 2012

- Molla Nasreddin: the magazine that would’ve, could’ve, should’ve, Christoph Keller/JRP-Ringier, 2011

- 79.89.09, Book Works, 2010 - Kidnapping Mountains, Book Works, 2009