Slavs and Tatars is an artistic collective and an intellectual project at the same time. They have been operating since 2006, and their area of ​​interest is primarily Eurasia as a special cultural formation, where various ethnic and religious formations are mixed up, but which also retains the supranational ethos of the "east". The action and projects project Slavs and Tatars takes place between the former Berlin Wall and the Chinese Wall. Subsequent projects accept both the form of publications and extensive installations as well as a series of objects often using traditional production techniques and artistic crafts.  



The Museum of Modern Art, New York, US

Sharjah Art Foundation, Sharjah, UAE

Museum of Modern Art in Warsaw, PL

Tate Modern, London, GB

Kadist Collection, Paris, FR

Galeria Arsenał, Białystok, PL

Ringier Collection, Zurich, CH

Contemporary Museum Wroclaw, PL

Art Collection Telekom, DE



- Saalbaderei / Bathhouse Quackeries, Westfälischer Kunstverein, Münster, DE



- Mouth to Mouth, Contemporary Art Center, Vilnius, LT

- Mouth to Mouth, SALT Galata, Istanbul, TR

- Nose to Nose, Pejman Foundation, Tehran, IR

- Mouth to Mouth, Museum of Contemporary Art, Belgrade, RS



- Usta Usta, Center for Contemporary Art Ujazdowski Castle, Warsaw, PL

- Afteur Pasteur, Tanya Bonakdar Gallery, New York, US

- Made in Germany, The Third Line, Dubai, UAE

- Szubrawców Society, Raster, Warsaw, PL

- Slavs and Tatars: Lecture-Performances 2009-2016, Fondation Boghossian - Villa Empain, Brussels, BE

- Mirrors for Princes, Blaffer Art Museum, Houston, USA



- Stongue, Kunsthalle Aarhus, DK

- Free Parking: Art Libraries from Elsewhere, Asia. Art Archive, Hong Kong, HK

- Mirrors for Princes, Institute of Modern Art, Brisbane, AU

- Dschinn and Dschuice, Kraupa-Tuskany Zeidler, Berlin

- Lektor, Collective Gallery, Edinburgh, UK

- Dschinn and Dschuice, Kraupa-Tuskany Zeidler, Berlin, DE

- Mirrors for Princes: Both Sides of the Tongue, NYU AD Art Gallery, Abu Dhabi, AE

- Long Legged Linguistics, Kunstmuseum, Trondheim, NO



- Mirrors for Princes, Kunsthalle Zürich, Zürich, CH

- Sunum-Performans: Alfabe Ötesi Dalga, Istanbul Modern, Istanbul, TRPerformans: Alfabe Ötesi Dalga, Istanbul Modern, Istanbul, TR

- LANGUAGE ARTS, The Third Line, Dubai, AE

- Concentrations 57, Dallas Museum of Art, Dallas, US

- Long legged linguistics. Niesforne nosówki, Arsenal Gallery, Białystok, PLlingwistyka. Niesforne nosówki, Arsenal Gallery, Białystok, PL



- Friendship of Nations: Polish Shi'ite Showbiz, Presentation House, Vancouver, CAVancouver , CA

- Friendship of Nations: Polish Shi'ite Showbiz, REDCAT, Los Angeles, US



- Beyonsense, Projects 98, Museum of Modern Art, New York, US

- Too much translator, Raster, Warsaw, PL

- Khhhhhh, Moravia Gallery, Brno, CZ

- Not Moscow Not Mecca, Secession, Vienna, AT



- Friendship of Nations: Polish Shi'ite Showbiz, Kiosk, Koninklijke Academie voor Schone Kunsten, Gent, BEvoor Schone Kunsten, Gent, BE

- Friendship of the Nations: Lahestan Nesfeh-Jahan, Gdańsk City Gallery, Gdansk, PL

- A Monobrow Manifesto, Neuer Aachener Kunstverein, Aachen, DE



- Kidnapping Mountains, Netwerk Center for Contemporary Art, Aalst, BE



- Common Wealth, 032c, Berlin and Ooga Booga, Los Angeles (2010), USUCommon Wealth, 032c, Berlin and Ooga Booga, Los Angeles (2010), USU

- A Thirteenth Month Against Time, Newman-Popiashvili Gallery, New York, US




- I AM THE MOUTH. Works from Central and Eastern European Artists from Art Collection Telekom, Museum of Contemporary Art Zagreb, Zagreb, HR

- Holes in the Wall_Anachronic approaches to the here-and-now, Kunsthaus Exnergasse, Vienna, AT



- 4th Ural Industrial Biennial, Ekaterinburg, RU

- The Other Face of the Moon, Asia Culture Center, Gwangju, KR

- Together Apart, Center for Border Studies, Cúcuta, CO

- The Vague Space, Weserburg Museum, Bremen, DE

- OFF Biennial, Budapest, HUBudapeszt, HU

- Half true. Works of contemporary artists and artists from Central and Eastern Europe from the collections of Art Collection Telekom, Museum of Sculpture. Xawery Dunikowski at Królikarnia, Warsaw, PLPrace współczesnych artystów i artystek z Europy Środkowo-Wschodniej ze zbiorów Art Collection Telekom, Muzeum Rzeźby im. Xawerego Dunikowskiego w Królikarni, Warszawa, PL

- Everything is Getting Better. Unknown Knowns of Polish (Post) Colonialism, SAVVY Contemporary, Berlin, DE

- Frans Masereel and Contemporary Art: Resistance in Images, mu.ZEE, Oostende, BE

- 0ppositions, The Luminary, St. Louis, US

- 32. Biennial of Graphic Arts, Ljubljana, SI

- The Future is certain, it's the unpredictable, Calvert 22, London, UK

- Imaginary Geography, ACC - Asia Culture Center, Gwangju, KR



- Will it get better and better? Presentation of the collection II, Galeria Arsenał, Białystok, PLlepiej i coraz lepiej? Prezentacja kolekcji II, Galeria Arsenał, Białystok, PL

- A Place of Our Time, Palazzo Capris, Turin, IT

- Fiatal Lengyelország - A valóság utóérzései (Young Poland - Afterimages of Reality), Ludwig Museum, Budapest, HU

- Yinchuan Biennale 2016, Yinchuan, CN

- We Dance, We Smoke, We Kiss, Fahrenheit, Los Angeles, US

- Sprache, Deutsches Hygiene Museum Dresden, Dresden, DEHygiene Museum Dresden, Drezno, DE

- Jakoś to będzie / Czuwaj, Exhibition Office, Warsaw, PL

- Metatextile: Ruptured narratives, exchanged values, Edel Assanti, London, UK

Labor relations. From the international contemporary art collection of the Wrocław Contemporary Museum, PLpracy. Z międzynarodowej kolekcji sztuki współczesnej Muzeum Współczesnego Wrocław, PL

- Mother lode, Hessel Museum of Art, Bard College, New York, USAMother lode, Hessel Museum of Art, Bard College, Nowy Jork, USA

- DE-MO-KRA-CJA, Galeria Labirynt, Lublin, PLDE-MO-KRA-CJA, Galeria Labirynt, Lublin, PL

- SONSBEEK '16: transACTION, Museum Arnhem, NL

- La memoria finalmente. Arte in Polonia 1989-2015, Galleria Civica - Palazzina dei Giardini, Modena, ITfinalmente. Arte in Polonia 1989-2015, Galleria Civica - Palazzina dei Giardini, Modena, IT

- Arch of my Eye's Orbit, Brooklyn Academy of Music, New York, US

- Magie und Macht: Von fliegenden Teppichen und Drohnen, Marta Herford Museum, Herford, DEfliegenden Teppichen und Drohnen, Marta Herford Museum, Herford, DE

- Conditions of Political Choreography, Center for Contemporary Art, Tel Aviv, IL



- Zuzanna Ginczanka. Only happiness is a real life, Museum of Literature, Warsaw, PLprawdziwym życiem, Muzeum Literatury, Warszawa, PL

- Balagan !!! Contemporary Art from the Former Soviet Union and other Mythical Spots, Max Liebermann Haus, Berlin, DE

- Contour 7 Biennial, Mechelen, BE

- Open House, Kunstverein Braunschweig, Braunschweig, DE

- Preis Der Nationalgalerie, Hamburger Bahnhof, Berlin, DE

- Clean language, Galeria Arsenał, Białystok, PLjęzyk , Galeria Arsenał, Białystok, PL

- Stitch In Time: The fabric of contemporary life, Lewis Glucksman Gallery, University College Cork, IE

- Crisis of History # 3 - Beyond History, Framer Framed, Amsterdam, NL

- KölnSkulptur # 8, Skulpturenpark, Köln, DE

- More Konzeption Conception now , Museum Morsbroich , Leverkusen, DE



- shadow architecture. Chalets and bazaars, Museum of Modern Art in Warsaw, PLcienia. Szalety i bazary, Muzeum Sztuki Nowoczesnej w Warszawie, PL

- Rainbow in the Dark, Salt Galata, Istanbul, TR

- 8. Berlin Biennale, Berlin, DE

- Manifesta 10, Saint Petersburg, RU

- Show us your dreams, Open'er Festival 2014, Gdynia, PLnam wasze marzenia, Open'er Festival 2014, Gdynia, PL

- In the near future, the Museum of Modern Art, Warsaw, PLniedalekiej przyszłości, Muzeum Sztuki Nowoczesnej, Warszawa, PL

- Grip friheten !, Nasjonalmuseet, Oslo, NOfriheten!, Nasjonalmuseet, Oslo, NO

- Neighbors: Contemporary Narratives from Turkey and Beyond, Istanbul Museum of Modern Art, Istanbul, TR


- Soft Picture, Fondazione Sandretto Re Rebaudengo, Torino, IT

-Museum off Museums, Biellefelder Kunstverein, Bielefeld, DE -Hip to Be Square, KC PZPR, Warsaw, PLMuseum off Museums, Biellefelder Kunstverein, Bielefeld, DE -Hip to Be Square, KC PZPR, Warszawa, PL

-In the Name of God, KC PZPR, Warsaw, PL

-Long ago, and not true anyway, Waterside Contemporary, London, UK

-Nouvelle Vague, Palais de Tokyo, Paris, FR

-L'Ange de l'Histoire, Palais de Beaux Arts, Paris, FRde Beaux Arts, Paris, FR

-Love me Love me not, Venice, IT

-In the heart of the country, Museum of Modern Art, Warsaw, PLsercu kraju, Muzeum Sztuki Nowoczesnej, Warszawa, PL

-Weird Science, Jack Hanley Gallery, New York, USA

-Nouveau Festival, Center Pompidou, Paris, FR



- Traversing West Asia, Asia Pacific Triennial, Brisban, AU

-Niewczesne Historie / Untimely Stories, Muzeum Sztuki, Łódź, PL

- Roundtable, 9th Gwangju Biennial, Gwangju, KR - 2nd Ural Biennial, Ekaterinburg, RU

- Etat de Veille, Galerie Jousse Entreprise, Paris, FREntreprise, Paris, FR

- Under the Mountain, Festival of Culture, Jerusalem, ISR

- On Apology, CCA Wattis, San Francisco, US - Migrosophia, Maraya Art Center, Sharjah, UAE

- The Ungovernables, New Museum Triennial, New York, US

- Print / Out, Museum of Modern Art, New York, US - Scenarios about Europe III, GfZK, Leipzig, DE



- I decided not to save the world, Tate Modern / Salt Beyoğlu

- Station C, Konsthall C, Stockholm, SE

- Geopoetics, 8th Mercosul Biennial, Porto Alegre, BRGeopoetics, 8th Mercosul Biennial, Porto Alegre, BR

- A Rock and a Hard Place, 3rd Thessaloniki Biennale, Thessaloniki, GR

- Melanchotopia, Witte de With, Rotterdam, NL

- Group Affinity, Kunstverein München, München, DE

- Friendship of Nations: Polish Shi'ite Showbiz, 10th Sharjah Biennale, UAE

- Galicia. Topologies of Myth, Małopolskie Centrum Kulturz SOKOŁ, Nowy Sącz, PL

- East: Excitable Speech: West, Kerstin Engholm Galerie, Vienna, ATEast:Excitable Speech:West, Kerstin Engholm Galerie, Vienna, AT

- Distant Montage, École Régionale des Beaux Arts de Valence, France, FRBeaux Arts de Valence, France, FR

- Le Mont Analogue, BE Part Platform voor actuele kunst, Waregem, BEvoor actuele kunst, Waregem, BE

- ECHT? based on a true story, Kuenstlerhaus Stuttgart, Stuttgart, DE



- Between the silhouette and the background, unosunove gallery, Rome, ITunosunove gallery, Rome, IT

- Monobrow Manifesto, Frieze Sculpture Park, London, UK

- Salon5, ARGOS center for art and media, Brussels, BEcentre for art and media, Brussels, BE

- 25th Nadežda Petrović Memorial, Čačak, RS

- Correct Me if I am Critical, Felleshuset, Nordische Botschaft, Berlin, DE

- Frozen Moments, Ministry of Transport, Tbilisi, Georgia, GE

- 032c Workshop # 1, BAIBAKOV art projects, Moscow, RU

- Habitat (Some Pleasures and Discomforts of Domestic Life), Twenty First / Twenty First Gallery, New York, US

- Miseducation, Brucennial, New York, US - The Past is a Foreign Country, Center of Contemporary Art 'Znaki Czasu' in Torun, Toruń, PL

- Freischuss, Kleine Humboldt Galerie, Berlin, DE



- Industrial Light Magic, Goethe Institut, New York, US - Wola Art Festival, Warsaw, PL

- Hymns of No Resistance, Kaai Theater, Brussels, BE

- Betlemi Mikro-Raioni, Laura Palmer Foundation, Tbilisi, GE

- Nomadic Focus, Interzone, Studio BWA, Wroclaw, PL

- Live Archive of 'The Generational: Younger Than Jesus', New Museum, New York, US



- Grotto, Museum 52, London, UK

- Place it, Parallel Events Manifesta 7, Lungomare Gallery, Bolzano, IT

- Shifting Identities, Kunsthall Zürich, Zürich, CH

- Pro eto, NCCA, Moscow Biennale of Young Artists, RU

- Forms of Inquiry, traveling show: Casco, Utrecht; lux, Valence; IASPIS, Stockholm; BolteLang, Zürich; Archizoom EPFL, Lausanne, CH

- Ostersund, Färgfabriken, Stockholm, SE 2007

- Left Pop, Moscow Biennial of Contemporary Art, RU

- New Multiples, Art Metropole, Toronto, CA - NY Art Book Fair, Printed Matter, New York, US

- Books by Artists, E: vent Gallery, London, UK

- 10 Years, Colette, Paris, FR 2006

- Publish and Be Damned, Casco Projects, Utrecht, NL

- 30ANSCHLAEGE, Public Exhibition in Heidelberg, DE


- Festival International de la Mode et de Photographie, Hyéres, FR

- Proud and Sad / Wrong and Strong, Women and Their Work, Austin, Texas, US

- Bloomberg New Contemporaries, Cornerhouse, Manchester, Barbican, London, UK

- Somewhere Totally Else, Design Museum, London, UK


Maija Rudovska, Slavs and Tatars. Mouth to Mouth, "Selections", 12/10/2017  (EN)

- Interview with Slavs and Tatars, "Unthinkable", 14/10/2016  (EN)

- Karol Sienkiewicz, Slavs and Tatars at the Warsaw Center for Contemporary Art. The exhibition of the famous international group is rebellion or escapism ?, "", 18/12/2016 (PL)

- Slavs and Tatars. Afteur Pasteur, Ann McCoy, "The Brooklyn Rail", 1/11/2016 (EN)

- Silage juice, an interview with Slavs and Tatars, interview with Ewa Tatar, Katarzyna Czeczot, "", # 190, 07/2016  (PL)

- Bean Gilsdorf, Slavs and Tatars, "Artforum", 13/06/2016  (EN)

- Krzysztof Kościuczuk, Critic's Guide: Warsaw, "", 02/06/2016  (EN)

- Miriam Cosic, Mirrors for Princes explores the lands time forgot, "The Australian", 19/11/2015   (EN)

- Kevin Jones, Slavs and Tatars NYUAD Art Gallery / Abu Dhabi, “Flash Art”, 17.06.2015 (EN)

- Kevin Jones, Mirrors for Princes: Both Sides of the Tongue, "ArtAsiaPacific", Issue 93, May/Jun 2015 (EN)

- Dina Akhmadeeva, Wall to Wall: meet Slavs and Tatars, the art collective slaying stereotypes from Berlin to Beijing, “The Calvert Journal”, 19.03.2015 (EN)

Monique Todd, Breaking new ground in the Persian Gulf, “Dazed”, 18.03.2015 (EN)

- Nick Leech, Slavs and Tatars encourages art that you’re allowed to reach out and sit on, “”, 26.02.2015 (EN)

- Kevin Jones, Slavs and Tatars. Language Arts, "ArtAsiaPacific", Issue 91, Nov/Dec 2014 (EN)

Jerome Weeks, Alphabet Wars At The Dallas Museum Of Art, "",17.07.2014 (EN)

Dallas Museum of Art first to present Slavs and Tatars' complete Love Letters Carpet series , "", 26.07.2014 (EN)

-Fawz Kabra, Language Arts, Slavs and Tatars at The Third Line, “IBRAAZ”, 30.04.2014 (EN)

Asa Fitch, Art Dubai Eyes Cultural Growth Amid Dubai’s Commercial Upswing, "The Wall Street Journal", 19.03.2014 (EN)

Anna Seaman, Slavs and Tatars exhibit at The Third Line in Dubai strive to liberate words and art, "The National", 01.04.2014 (EN)

Ewa Kozik, Artyści, kuratorzy i badacze, czyli o strategiach artystycznych “Slavs and Tatars",, 13.09.13 (PL)

Środkowoeuropejski bazar, wywiad z Slavs and Tatars, rozm. Iwo Zmyślony, "", #94, 10/2012 (PL)

Slavs and Tatars on Reading as a Collective Activity, video interview with Slavs and Tatars by Agnes Monod-Gayraud, "", 05.10.2012 (EN, PL)

- Jesi Khadivi, Slavs and Tatars, "Harper's Bazaar Art", zima 2012 - 2013, s. 90 - 99 (EN)

- Austin Considine, Slavs and Tatars Bring Eurasian Transreason to MoMA, "Art in America", 16.10.2012 (EN)

Iwona Kurz, Nie chcemy być nowocześni, "", #110, 06/2013 (PL)

- Adriana Prodeus, Panslawizm - tak!, "Newsweek", 01 - 07.07.2013, s.98-99 (PL)

- Interview with Slavs and Tatars by Federica Bueti, "ARTslant", 7.08.2010 (EN)

- Nicholas Cullinan, Group Think, "Artforum", 02.2011 (EN)

- Ewa Bianka Zubek, Slavs and Tatars: Politics, Aesthetics and Friendship across Eurasia, "The Culture Trip", 03.2014 (EN)  



- Owen Duffy, Slavs and Tatars. Afteur Pasteur, "ArtReview", 12/2016, s. 119 (EN)

Ingeborg Wiensowski, Das Künstlerkollektiv Slavs and Tatars beschäftigt sich mit Religion, Identität und Sprache. Und mit Eurasien, “Kultur Spiegel”, #9, 2015 (DE)

- David Joselit, On Aggregators, “October”, #146, 2014, s. 3-18 (EN)

- Karolina Plinta, Slavs&Tatars. Długonoga lingwistyka, Niesforne Nosówki, "Szum",  #6 2014, s. 118-120 (PL)

- Florence Derieux, Slavs and Tatars, Art Space Pythagorion, Samos, "Flash Art", no. 293, November- December 2013, s. 107

- Konrad Schiller, Slavs and Tatars, Friendship of Nations: Polish Shi'ite Showbiz, "Szum", #3, jesień 2013 - zima 2014, s. 103-106 (PL)

- Veerle Devos, Tongue 'n Cheek: Slavs and Tatars do Eurasia, "DAM",  no 41, 2013, s. 32-36

- Dorota Jarecka, Nowoczesność to zysk, "", 15.05.2013

- Miško Šuvaković, ’Slavs and Tatars: Posle Postkolonijalnog Subjekta,’ "Umetnost i Politika", Belgrade: Sluzbeni Glasnik, 2012

- Kevin Kinsella, For the Birds, "BombBlog", 5.11.2012

- Anders Kreuger, ’Beyond Nonsense: What Slavs and Tatars Make,’ "Afterall", Fall 2012

- Karol Sienkiewicz, ’Slavs and Tatars’ "Too Much Tłumacz", "Art Agenda", 16.10.2012

- Jon Leon, ’Political He Says,’ "Spike", no 33 Autumn 2012

- Shelby Brody, ’Art in Translation,’ "Columbia Daily Spectator", 26.09.2012

- Mason Curry, Skyping with Slavs and Tatars, "Print", October 2012

- Igor Gulin,  Представители трещины, "Kommersant", 31.08.2012

- Slavs and Tatars, When Satire Conquered Iran,"New York Review of Books", 18.09.2012

- Oleg Sulkin, Slavs and Tatars захватили Музей современного искусства, "Голос Америки", 19.08.2012

- Tereza Stejskalová, Možnosti kulturního překladu, "A2", 04.06.2012 - Mara Goldwyn, ’It’s a Trip’ Sleek, 34.

- Slavs and Tatars, Q&A, "Frieze", May 2012

- Jerry Saltz, Big Government Conservatives, "New York Magazine", 24.02.2012

- Ken Johnson, ’Gauging the Power of the Print, "The New York Times", 16.02.2012

- Marta Jazowska, Slavs and Tatars’ Not Moscow Not Mecca, "", 2012 -

Alex Moshakis, Interview with Slavs and Tatars, "It’s Nice That", issue 8, 2012

- HG Masters, Five Plus One’ Asia Art Pacific, Almanac 2011

- Magadalen Chua, Interactions between Representations of History, "", 26.01.2012

- Christopher Lord, A Daring Eastern Publication, "The National", 21.12.2011

- Yıldız, ’Artist of the Week: Slavs and Tatars, "Manifesta Journal blog", 12.12.2011

- Karolina Majewska, Slavs and Tatars w Gdańsku, "", 16.10.2011

- JJ Charlesworth, I decided not to save the world, "TimeOut", 17.11.2011

- HG Masters, Slavs and Tatars: Collective Eclecticism, "Asia Art Pacific", issue 75

- Behrang Samsami, Simplicissimus auf Aserbaidschanisch, "Zenith", 16.09.2011

- Don J. Cohen, Molla Nasreddin review, "Asia Art Pacific", issue 75, 2011

- Alexander Provan, Molla Nasreddin review, "Bidoun", issue 25, 2011

- Isabella Ella Hughes, Snail Fever: review, "Asia Art Pacific", 2011

- Carson Chan, The Last of the Eurasianists, "Kaleidoscope", issue 11, 2011

- David Shariatmadari, Molla Nasreddin review, "The Guardian", 24.06.2011

- Peter Gordon, Molla Nasreddin redux, "Asian Review of Books", 2011

- Nigar Hacizade, Müslüman, laik, demokrat devrimciler, "Radikal", 30.05.2011

- Elizabeth Minkel, The magazine that almost changed the world, "The New Yorker", 26.05.2011

- Isabella Ella Hughes, Sharjah Biennale 10 review, "Asia Art Pacific", issue 73, 2011

- Daniel Morgenthaler, ’Der "Nebelspalter" der muslimischen Welt’, Basler Zeitung, 13.04.2011

- Taraneh Hemami, Tracing the Plot, "SF MoMA Blog", 2011

- Maxine Kopsa, It was bibliophilia at first sight, "Metropolis M", March 2011

- Adam Budak, Future Greats, "Art Review", March 2011

- Dietrich Heißenbüttel, Von Slawen und Tataren, "Süddeutsche Zeitung", 16.02.2011

- Slavs and Tatars, Molla Nasreddin: The Magazine That Would’ve, Could’ve, "- Should’ve",, September 2010

- Federica Bueti, ‘All Alone, Together’, September 2010

- Daniel Miller, ’Postcard from Tbilisi,’, September 2010

- Federica Bueti, ‘Interview with Slavs and Tatars,’, August 2010

- Ewa Opałka, ‘Przewodniki po nie-miejscu. "Przeszłość jest obcym krajem,’ Obieg, June 2010

- Paulina Jakubowska, ‘Geografia umysłu,’, 26.02.2010

- Slavs and Tatars, ’Go East, Young Man!’ 032c, issue 19, 2010

- Slavs and Tatars, ‘Who is the enemy?’ Kaleidoscope, issue 5, 2010

- Slavs and Tatars, Польские Татары (Polskie Tatari), "Black Square", issue 9, 2010

- Slavs and Tatars, What is Urgent, "Metropolis M", issue 6, 2009

- Andrzej Rejnson, Wolska architektura w rekach artystow, "Polska", 18.11.2009

- Slavs and Tatars, Poland 1989: In Praise of the Normal, "Methodical and - Slow", 032c, issue 18, 2009

- Slavs and Tatars, Tehran 1979: Paper, "Participation, Politics", 032c, issue 17, 2009

- Isabelle De Baets, Strak, Minder Strak, No-Nonsense, "ART, issue 52", 04.06.2009

- Jasmine De Bruycker, Kidnapping Mountains, "", 13.05.2009

- Agata Araszkiewicz, Slavs and Tatars, "flaneriaa", 18.05.2009 - Shaun Walker, The Expatriate, "Fantastic Man", issue 9, 2009

- Negar Azimi, I Often Dream of Slavs, "Bidoun", issue 16, 2009

- Payam Sharifi, Flattened History, "Metropolis M",  No. 5, 2008

- Anna Dyulgerova, Novi Moskvich, "Harper’s Bazaar", September 2008

- Ingrid Chu, ‘Rebuilding the Pantheon’, Filip, issue 8, 2008

- Slavs and Tatars, Mohammed Mossadeq, "", May 2008

- Alison Cool, Wall to Wall, "", 08.04.2008

- Slavs and Tatars, Drafting Defeat, Cities from Zero, Ed. Shumon Basar, AA Publications, 2007

- Holland Cotter, Art between Covers, "New York Times", 29.09.2007

- Suzy Menkes, Paris’ Colette, "International Herald Tribune", 26.05.2007

- Featured in The Conditions of Graphic Design, "IDEA", No. 316, 2006

- Featured in ‘The Creators Network’, "+81", vol. 33, 2006 -

Slavs and Tatars, ‘Slavs’, 032c, issue 11, 2006

- Payam Sharifi, Veiled Beauty, "Another Magazine", issue 10, 2006

- Brigitte Ollier, L’oeil Hyéres, "Libération", 05.05.2005

- Gert Jonkers, Modewereld is op zoek naar foto’s met inhoud, "De - Volkskrant", 02.05.2005

- Payam Sharifi, Past – The Undecideds, "Another Magazine",  issue 9, 2005

- Payam Sharifi, Discretion, "A Magazine" curated by Haider Ackermann, vol 3, 2005

- Payam Sharifi, Révolutions de Façade, "Libération", 11/08/2005  



- Friendship of Nations Polish Shi`ite Showbiz, Book Works Sharjah Art Foundation, 2013

- Khhhhhhh, Moravian Gallery in Brno, Mousse, 2012 - Not Moscow Not Mecca, Secession, Revolver, 2012

- Molla Nasreddin: the magazine of Christoph Keller / JRP-Ringier, 2011

- 79.89.09, Book Works, 2010 - Kidnapping Mountains, Book Works, 2009